Moise plays with simplicity, then grants it an emphatically theatrical edge. The top remains clean, almost severe, while the lower profile descends into a soft sequence of waves and points — a drape caught halfway between furniture and stage curtain. In the long or the more compact version, it retains the same love of surprise: composed on the surface, considerably less disciplined just below. A coffee table that appears perfectly still, yet has already begun its quiet performance.